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Smile 2 – starring Naomi Scott, Lukas Gage and Jack Nicholson’s son Ray
– emerged as the winner after a horror movie box office showdown.
The fright flick eclipsed hot contender Terrifier 3 for the top spot.
The Smile sequel starring Scott, 31, as a pop star who begins experiencing terrifying and inexplicable events as she prepares for a world
tour, opened wide in more than 3,600 theaters,
pulling in a payday of $23 million.
Ray, whose mom is Nicholson’s former partner Rebecca Broussard, shocked fans with an eerie grin in the new movie, which was near-identical to the Oscar-winner’s
maniacal smile as Jack Torrance in the 1980 Stanley Kubrick classic,
The Shining.
In a legendary scene, an insane Jack hacks at a bathroom door with an axe as his cowering
wife Wendy (Shelley Duvall) screams inside. As he busts a hole in the door, he sticks his face
through, grins and exclaims: ‘Here’s Johnny!’ in an improvised line.
The original Smile, released in September 2022, and starring Sosie Bacon, was a sleeper
hit, which was well received and earned $217,408,513 globally.
Smile 2 has received a 83-percent critics rating on Rotten Tomatoes
and an 83-percent Popcornmeter rating from audiences.
Smile 2 stars Jack Nicholson’s son Ray (left). In the new horror,
he recreated the Oscar-winner’s maniacal smile as Jack Torrance in the 1980 Stanley Kubrick classic, The Shining
Smile 2’s big win at the box office has production companies Paramount Pictures and Temple Hill beaming
from ear to ear. The fright flight opened in first
place with a payday of $23 million
Read More
Smile 2 actor is spitting image of horror icon father in eerie scene
The Wild Robot remained in second place after making its debut last week.
The animated feature about a shipwrecked robot who lands on an island inhabited only by wild
animals has delighted audiences young and not so young to the tune of $10.1 million, according to Box Office Mojo.
Last week’s champ, Terrifier 3 dropped to third place.
In this latest chapter of the franchise, Art the Clown is determined
to slash his way through a small town preparing for the Christmas holidays in order to finish the work he started with a Halloween massacre in Terrifier 2.
Audiences have enjoyed the chase. Terrifier 3 kicked up more than $9.3 million in ticket sales.
Beetlejuice Beetlejuice lost some ground to the new
arrivals, but maintained a strong presence at theaters across the nation.
The haunted tale starring Michael Keaton, Winona Ryder and Jenna Ortega conjured up an even $5
million and a fourth place finish.
Landing in fifth place after opening in wider release was We Live in Time.
Naomi Scott stars in Smile 2 as a pop star preparing for a world tour who encounters a series of terrifying and inexplicable events
The Wild Robot remained in second place after making its debut last week.
The animated feature about a shipwrecked robot who lands on an island inhabited only by wild animals has delighted audiences young and not so young to
the tune of $10.1 million this week
Last week’s champ, Terrifier 3 dropped to third place. The story follows Art the Clown as he tries
to slash his way through a small town preparing for the Christmas holidays.
The fright flick pulled in more than $9.3 million in ticket sales
The romantic drama, starring Andrew Garfield and Florence Pugh as a couple who find themselves in a race against time, is a hit with
critics and audiences alike, earning $4.185 million over the weekend.
Joker:Folie à Deux continues its descent as audiences lose interested in the Joker sequel.
After three weeks in theaters, the film starring Joaquin Phoenix and Lady Gaga has landed in sixth place with
a take of $2.18 million.
The movie has yet to cover its $200 million budget, but is inching toward it.
So far the comic inspired film has collected $191,942,948 globally.
Beetlejuice Beetlejuice lost some ground to the new arrivals, but maintained a strong
presence at theaters across the nation. The haunted tale starring
Michael Keaton, Winona Ryder and Jenna Ortega conjured up an even $5 million and
a fourth place finish
Landing in fifth place after opening in wider release was We Live in Time.
The romantic drama starring Andrew Garfield and Florence Pugh as a couple who find themselves in a
race against time is a hit with critics and audiences alike, earning $4.185 million over the weekend
Piece by Piece, Pharrell Williams’ creative biopic, fell two spots to sixth place.
The musical adventure told with Lego characters to illustrate the singer and songwriter’s
rise to fame continues to do well with audiences,
this week putting together a payday of $2.1 million.
Transformers One parked in eighth place.
Joker:Folie à Deux continues its descent as audiences lose interested in the Joker sequel.
After three weeks in theaters, the film starring
Joaquin Phoenix and Lady Gaga has landed in sixth place with a take of $2.18 million
Piece by Piece, Pharrell Williams’ creative biopic, fell two spots
to sixth place with payday of $2.1 million
Transformers One parked in eighth place with earnings of nearly
$2 million
Saturday Night, the film about the chaos behind the first ever episode of late night staple Saturday
Night Live, dropped in the ratings to ninth place making $1.8 million its fourth weekend in theaters
The Nightmare Before Christmas re-release rounds out the top ten with $1.129 million beneath
the tree
The animated adventure starring the voices of Chris Hemsworth and Brian Tyree Henry in the origin story for the beloved Optimus Prime
and the evil Megatron roared away with nearly $2 million.
Saturday Night, the film about the chaos behind the first ever episode of
late night staple Saturday Night Live, dropped in the ratings to ninth place.
The dramady starring Gabriel LaBell as SNL creator
Lorne Michaels made $1.8 million its fourth weekend in theaters.
The Nightmare Before Christmas re-release rounds out the top ten. The Tim Burton animated classic found
$1.129 million under the tree, as the film enjoys a renaissance
with fans and their progeny celebrating some three decades since it first appeared in theaters.
An invitation to lunch at Caviar Kaspia was, once upon a time, an offer you simply didn’t
refuse. Providing, of course, that the bill was on someone else.
Because caviar, smeared on blinis or piled high
on baked potatoes, sure didn’t come cheap. There may have been other things
on the menu, but no one paid them much heed. This was all about lashings of the black
stuff.
Caviar Kaspia’s signature baked potato and caviar: ‘there are few better dishes on earth…only the price, at just under £150, is ridiculous’
Caviar Kaspia popped her final tin about two decades back.
And that site, hidden down a smart Mayfair
mews, was taken over by Gavin Rankin (who used to be the boss), and
transformed into the brilliant Bellamy’s. It prospers to this day.
Kaspia, on the other hand, went quiet. Until last year, when she
reopened as a members’ club in another Mayfair backstreet.
But a £2,000 a year membership fee proved hard to swallow, meaning the
doors were opened to the great unwashed.
Which is how we find ourselves sitting in a rather handsome – albeit near empty – dining room, lusciously lavish, under the stern gaze of a stern painting of a very stern man. The soft, crepuscular gloom is broken up by the glare of table lamps, indecorously
bright, while a loud soundtrack of indolent,
indeterminate beats throbs in the background.
The whole place is scented with gilded ennui.
Our fellow diners are two young South Korean women of pale, luminescent beauty, clad in diaphanous couture.
They don’t speak, rather communicate entirely
via camera phone. Pose, click, check, filter,
post. Immaculate waiters hover in the shadows.
We sip ice-cold vodka, and eat a £77 caviar and smoked-salmon Kaspia
croque monsieur that tastes far better than it ought to.
Next door, a large table fills with a glut of the noisily, glossily confident.
We’re looked after by a wonderful French lady of such effervescent charm and charisma that had she burst into an impromptu performance of ‘Willkommen’, we
would have barely blinked. Baked potatoes, skin as crisp
as parchment, insides whipped savagely hard with butter and sour cream, are a study in tuber art.
A cool jet-black splodge of oscietra caviar, gently saline, raises them to the sublime.
Only the price, at just under £150 each, is ridiculous.
But there are few better dishes on earth. I’d eat this every day if I could.
But I can’t. Obviously. That’s the problem with caviar.
One taste is never enough.
About £200 per head. Caviar Kaspia, 1a Chesterfield Street, London W1; caviarkaspialondon.com
★★★★✩
My favourite luxury dishes
Tom’s pick of the best places to splash the culinary cash in LondonTom’s pick of the best places to splash the culinary cash in London
The Ritz
Beef wellington sliced and sauced at the table (£150) and crêpes suzette flambéed
with aplomb (£62): Arts de la Table is edible theatre
at its most delectable.
theritzlondon.com
Otto’s
Come to this classic French restaurant for the canard or homard à la presse (£150-£220
per person); stay for beef tartare (£42), foie gras (£22)
and poulet de bresse rôti (£190, two courses).
ottos-restaurant.com
Sushi Kanesaka
Piscine perfection comes at an eye-watering £420 per person,
sans booze. But this 13-seat sushi bar shows omakase dining at its very finest.
dorchestercollection.com
Min Jiang
The dim sum is some of the best in town. But don’t miss the wood-fired Beijing duck (£98) – crisp skin first,
then two servings of the meat. Superb.
A year on from Qatar 2022, what’s the legacy of a World Cup like no other?
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The 2022 World Cup final will go down as one of the most exciting, dramatic and memorable matches in the history of the game.
It was the scene of Lionel Messi’s greatest moment on a soccer pitch, in which he cemented his legacy as the best player of his generation after finally guiding Argentina to World Cup glory.
It was, for many, the perfect, fairytale ending to a tournament which thrilled well over a billion fans around the world. So good, perhaps, that many forgot it bookended the most controversial World Cup in history. https://blacksprut-market.info
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Rewind to the start of the tournament and the talk was all about matters off the field: from workers’ rights to the treatment of the LGBTQ+ community.
Just hours before the opening match, FIFA President Gianni Infantino launched into a near hour-long tirade to hundreds of journalists at a press conference in Doha, where he accused Western critics of hypocrisy and racism.
“Reform and change takes time. It took hundreds of years in our countries in Europe. It takes time everywhere, the only way to get results is by engaging […] not by shouting,” said Infantino.
At one point, the FIFA president challenged the room of journalists, stressing FIFA will protect the legacy for migrant workers that it set out with the Qatar authorities.
“I’ll be back, we’ll be here to check, don’t worry, because you will be gone,” he said.
So, a year on from the World Cup final, what is the legacy of the 2022 World Cup?
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Smile 2 – starring Naomi Scott, Lukas Gage and Jack Nicholson’s son Ray
– emerged as the winner after a horror movie box office showdown.
The fright flick eclipsed hot contender Terrifier 3 for the top spot.
The Smile sequel starring Scott, 31, as a pop star who begins experiencing terrifying and inexplicable events as she prepares for a world
tour, opened wide in more than 3,600 theaters,
pulling in a payday of $23 million.
Ray, whose mom is Nicholson’s former partner Rebecca Broussard, shocked fans with an eerie grin in the new movie, which was near-identical to the Oscar-winner’s
maniacal smile as Jack Torrance in the 1980 Stanley Kubrick classic,
The Shining.
In a legendary scene, an insane Jack hacks at a bathroom door with an axe as his cowering
wife Wendy (Shelley Duvall) screams inside. As he busts a hole in the door, he sticks his face
through, grins and exclaims: ‘Here’s Johnny!’ in an improvised line.
The original Smile, released in September 2022, and starring Sosie Bacon, was a sleeper
hit, which was well received and earned $217,408,513 globally.
Smile 2 has received a 83-percent critics rating on Rotten Tomatoes
and an 83-percent Popcornmeter rating from audiences.
Smile 2 stars Jack Nicholson’s son Ray (left). In the new horror,
he recreated the Oscar-winner’s maniacal smile as Jack Torrance in the 1980 Stanley Kubrick classic, The Shining
Smile 2’s big win at the box office has production companies Paramount Pictures and Temple Hill beaming
from ear to ear. The fright flight opened in first
place with a payday of $23 million
Read More
Smile 2 actor is spitting image of horror icon father in eerie scene
The Wild Robot remained in second place after making its debut last week.
The animated feature about a shipwrecked robot who lands on an island inhabited only by wild
animals has delighted audiences young and not so young to the tune of $10.1 million, according to Box Office Mojo.
Last week’s champ, Terrifier 3 dropped to third place.
In this latest chapter of the franchise, Art the Clown is determined
to slash his way through a small town preparing for the Christmas holidays in order to finish the work he started with a Halloween massacre in Terrifier 2.
Audiences have enjoyed the chase. Terrifier 3 kicked up more than $9.3 million in ticket sales.
Beetlejuice Beetlejuice lost some ground to the new
arrivals, but maintained a strong presence at theaters across the nation.
The haunted tale starring Michael Keaton, Winona Ryder and Jenna Ortega conjured up an even $5
million and a fourth place finish.
Landing in fifth place after opening in wider release was We Live in Time.
Naomi Scott stars in Smile 2 as a pop star preparing for a world tour who encounters a series of terrifying and inexplicable events
The Wild Robot remained in second place after making its debut last week.
The animated feature about a shipwrecked robot who lands on an island inhabited only by wild animals has delighted audiences young and not so young to
the tune of $10.1 million this week
Last week’s champ, Terrifier 3 dropped to third place. The story follows Art the Clown as he tries
to slash his way through a small town preparing for the Christmas holidays.
The fright flick pulled in more than $9.3 million in ticket sales
The romantic drama, starring Andrew Garfield and Florence Pugh as a couple who find themselves in a race against time, is a hit with
critics and audiences alike, earning $4.185 million over the weekend.
Joker:Folie à Deux continues its descent as audiences lose interested in the Joker sequel.
After three weeks in theaters, the film starring Joaquin Phoenix and Lady Gaga has landed in sixth place with
a take of $2.18 million.
The movie has yet to cover its $200 million budget, but is inching toward it.
So far the comic inspired film has collected $191,942,948 globally.
Beetlejuice Beetlejuice lost some ground to the new arrivals, but maintained a strong
presence at theaters across the nation. The haunted tale starring
Michael Keaton, Winona Ryder and Jenna Ortega conjured up an even $5 million and
a fourth place finish
Landing in fifth place after opening in wider release was We Live in Time.
The romantic drama starring Andrew Garfield and Florence Pugh as a couple who find themselves in a
race against time is a hit with critics and audiences alike, earning $4.185 million over the weekend
Piece by Piece, Pharrell Williams’ creative biopic, fell two spots to sixth place.
The musical adventure told with Lego characters to illustrate the singer and songwriter’s
rise to fame continues to do well with audiences,
this week putting together a payday of $2.1 million.
Transformers One parked in eighth place.
Joker:Folie à Deux continues its descent as audiences lose interested in the Joker sequel.
After three weeks in theaters, the film starring
Joaquin Phoenix and Lady Gaga has landed in sixth place with a take of $2.18 million
Piece by Piece, Pharrell Williams’ creative biopic, fell two spots
to sixth place with payday of $2.1 million
Transformers One parked in eighth place with earnings of nearly
$2 million
Saturday Night, the film about the chaos behind the first ever episode of late night staple Saturday
Night Live, dropped in the ratings to ninth place making $1.8 million its fourth weekend in theaters
The Nightmare Before Christmas re-release rounds out the top ten with $1.129 million beneath
the tree
The animated adventure starring the voices of Chris Hemsworth and Brian Tyree Henry in the origin story for the beloved Optimus Prime
and the evil Megatron roared away with nearly $2 million.
Saturday Night, the film about the chaos behind the first ever episode of
late night staple Saturday Night Live, dropped in the ratings to ninth place.
The dramady starring Gabriel LaBell as SNL creator
Lorne Michaels made $1.8 million its fourth weekend in theaters.
The Nightmare Before Christmas re-release rounds out the top ten. The Tim Burton animated classic found
$1.129 million under the tree, as the film enjoys a renaissance
with fans and their progeny celebrating some three decades since it first appeared in theaters.
Naomi ScottJack NicholsonLukas Gage
An invitation to lunch at Caviar Kaspia was, once upon a time, an offer you simply didn’t
refuse. Providing, of course, that the bill was on someone else.
Because caviar, smeared on blinis or piled high
on baked potatoes, sure didn’t come cheap. There may have been other things
on the menu, but no one paid them much heed. This was all about lashings of the black
stuff.
Caviar Kaspia’s signature baked potato and caviar: ‘there are few better dishes on earth…only the price, at just under £150, is ridiculous’
Caviar Kaspia popped her final tin about two decades back.
And that site, hidden down a smart Mayfair
mews, was taken over by Gavin Rankin (who used to be the boss), and
transformed into the brilliant Bellamy’s. It prospers to this day.
Kaspia, on the other hand, went quiet. Until last year, when she
reopened as a members’ club in another Mayfair backstreet.
But a £2,000 a year membership fee proved hard to swallow, meaning the
doors were opened to the great unwashed.
Which is how we find ourselves sitting in a rather handsome – albeit near empty – dining room, lusciously lavish, under the stern gaze of a stern painting of a very stern man. The soft, crepuscular gloom is broken up by the glare of table lamps, indecorously
bright, while a loud soundtrack of indolent,
indeterminate beats throbs in the background.
The whole place is scented with gilded ennui.
Our fellow diners are two young South Korean women of pale, luminescent beauty, clad in diaphanous couture.
They don’t speak, rather communicate entirely
via camera phone. Pose, click, check, filter,
post. Immaculate waiters hover in the shadows.
We sip ice-cold vodka, and eat a £77 caviar and smoked-salmon Kaspia
croque monsieur that tastes far better than it ought to.
Next door, a large table fills with a glut of the noisily, glossily confident.
We’re looked after by a wonderful French lady of such effervescent charm and charisma that had she burst into an impromptu performance of ‘Willkommen’, we
would have barely blinked. Baked potatoes, skin as crisp
as parchment, insides whipped savagely hard with butter and sour cream, are a study in tuber art.
A cool jet-black splodge of oscietra caviar, gently saline, raises them to the sublime.
Only the price, at just under £150 each, is ridiculous.
But there are few better dishes on earth. I’d eat this every day if I could.
But I can’t. Obviously. That’s the problem with caviar.
One taste is never enough.
About £200 per head. Caviar Kaspia, 1a Chesterfield Street, London W1; caviarkaspialondon.com
★★★★✩
My favourite luxury dishes
Tom’s pick of the best places to splash the culinary cash in LondonTom’s pick of the best places to splash the culinary cash in London
The Ritz
Beef wellington sliced and sauced at the table (£150) and crêpes suzette flambéed
with aplomb (£62): Arts de la Table is edible theatre
at its most delectable.
theritzlondon.com
Otto’s
Come to this classic French restaurant for the canard or homard à la presse (£150-£220
per person); stay for beef tartare (£42), foie gras (£22)
and poulet de bresse rôti (£190, two courses).
ottos-restaurant.com
Sushi Kanesaka
Piscine perfection comes at an eye-watering £420 per person,
sans booze. But this 13-seat sushi bar shows omakase dining at its very finest.
dorchestercollection.com
Min Jiang
The dim sum is some of the best in town. But don’t miss the wood-fired Beijing duck (£98) – crisp skin first,
then two servings of the meat. Superb.
minjiang.co.uk
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A year on from Qatar 2022, what’s the legacy of a World Cup like no other?
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The 2022 World Cup final will go down as one of the most exciting, dramatic and memorable matches in the history of the game.
It was the scene of Lionel Messi’s greatest moment on a soccer pitch, in which he cemented his legacy as the best player of his generation after finally guiding Argentina to World Cup glory.
It was, for many, the perfect, fairytale ending to a tournament which thrilled well over a billion fans around the world. So good, perhaps, that many forgot it bookended the most controversial World Cup in history.
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Rewind to the start of the tournament and the talk was all about matters off the field: from workers’ rights to the treatment of the LGBTQ+ community.
Just hours before the opening match, FIFA President Gianni Infantino launched into a near hour-long tirade to hundreds of journalists at a press conference in Doha, where he accused Western critics of hypocrisy and racism.
“Reform and change takes time. It took hundreds of years in our countries in Europe. It takes time everywhere, the only way to get results is by engaging […] not by shouting,” said Infantino.
At one point, the FIFA president challenged the room of journalists, stressing FIFA will protect the legacy for migrant workers that it set out with the Qatar authorities.
“I’ll be back, we’ll be here to check, don’t worry, because you will be gone,” he said.
So, a year on from the World Cup final, what is the legacy of the 2022 World Cup?
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